Sunday, 13 April 2014

The Bideford Witches

I’m researching 17th Century Exeter - again - a city I love because you cannot turn a corner without seeing part of it's amazing history. Rougemont Castle, named after the characteristic red stone prevalent to the area from which it was built, is a romantic looking ruin now tucked into the ancient city walls, but contemporary drawings show a substantial Medieval fortress designed to withstand a seige - where the Bideford Witches were tried in August 1682.
The Castle in a 19th Century Engraving

Mary Trembles, Temperance Lloyd and Susannah Edwards were convicted of witchcraft at the Exeter Assizes, and subsequently hanged - the last to be executed for this offence in England. Their chief crime appears to be that the three accused were female, old, poor and confused.

The Bideford Witch Trials

Lloyd was accused of causing the death of several persons through the black arts to which she confessed. Trembles and Edwards were accused of causing sickness through witchcraft. Trembles blamed Edwards for leading her astray and Edwards likewise blamed Lloyd. Lloyd confessed she had been a witch for 20 years, and that she had sunk ships at sea. She went to the gallows in the usual cart: "all the way eating, and seemingly unconcerned".

It appears the women made deliberately suicidal confessions, and their parish was determined to have them die rather than live on charity.

In his charge to the Jury Sir Thomas Raymond gave his opinion (as he recounted it in a later pamphlet) that "these three poor women were weary of their lives, and that he thought it proper for them to be carried to the Parish from whence they came, and that the Parish should be charged with their Maintenance; for he thought their oppressing poverty had constrained them to wish for death". An outcry by their indignant neighbours swayed the Jury, nevertheless, to convict.

In 1685, an Alice Molland was sentenced to death by Chief Baron Montagu at Exeter. She left for execution, but no record of the actual hanging itself exists. There is a plaque on the ruined gatehouse at Rougemont Castle that bears the names of Temperance, Susannah and Mary as well as Alice, which would suggest she was hanged.The inscription reads:

The Devon Witches. In memory of Temperance Lloyd, Susannah Edwards, Mary Trembles, of Bideford, died 1682, Alice Molland, died 1685, the last people in England to be executed for witchcraft, tried here & hanged at Heavitree. In the hope of an end to persecution and intolerance.

Legend says there was an actual tree located a mile outside the city on Magdalen Road where hangings were routinely carried out. Heavitree - appears in Domesday Book as Hevetrowa or Hevetrove, and in a document of c.1130 as Hefatriwe. There was a known execution site at Livery Dole and has contained an almshouse and chapel since 1591, it is thought most likely to derive from heafod–treow (old English for "head tree"), which refers to a tree on which the heads of criminals were placed. Maybe the exact location will never be known.

"Livery Dole" is from the Old English Leofhere, a man who owned the land, and dole, meaning a piece of land. From 1531 to 1818 hangings were performed on a nearby site known as "Magdalen Drop".

Andrew Alleway's Mural in Exeter

A mural in Musgrave Row, Exeter, was painted in 2008 as part of the refurbishment of the city centre, represents the Bideford three in pointed hats round a cauldron with Rougemont Castle in the background.

The Gatehouse of Rougemont Castle
'Pardon Temperance Lloyd, Susannah Edwards, Mary Trembles’ is an online petition calling for the government to annul their conviction “for actions they could not have committed.”

It closed in August 2013 with 426 signatures.

Click here for a more detailed account of the 'Witch's' alleged crimes
Click here for the Petition to Free Them

Author whose latest release, ‘Royalist Rebel’ a biographical novel set in 17th Century England, is released by Pen and Sword Books under the name Anita Seymour

TWITTER: @AnitaSDavison

Sunday, 6 April 2014

LIVING HISTORY MUSEUMS: Portals to the Hidden Histories of Early America

Re-enactor at Historic St. Mary's City

In popular imagination, historical fiction seems to focus on novels illuminating famous figures of the past, such as Robert Graves’s I, Claudius and Philippa Gregory’s The Other Boleyn Girl. While countless readers, myself included, enjoy the vicarious delights of reading about emperors and queens, historical fiction can also be used as a tool for exploring the hidden lives of common folk who contributed just as much to the fabric of our history. Eminent historical novelist, the late Mary Lee Settle wrote, “Recorded history is wrong. It’s wrong because the voiceless have no voice in it.” The voiceless in history include most women, most people of non-European ancestry, and people of the servant and peasant classes. Some of the freshest and most moving historical fiction is written about historical underdogs, including Settle’s own classic Beulah Land Quintet.

What research tools exist for historical novelists who wish to give voice to neglected histories? When I was researching the lives of women, small planters, and indentured servants of the Colonial Chesapeake settlements for my 2006 novel, The Vanishing Point, I discovered that my best sources were living history museums. At Mount Vernon, George Washington’s birthplace, I learned about spinning wool and flax, and how even women of the wealthy elite spent their “leisure” hours spinning to keep their families clothed. In Colonial Williamsburg, I spent an entire day talking to various re-enactors about everything from tanning leather to period cures for consumption – cantering around on horseback was believed to be quite efficacious. The re-enactors at these museums don’t deal in dry facts or dates, but an entire way of life. The two museums that had the biggest impact on me were Colonial Williamsburg in Virginia and Historic St. Mary’s City in Maryland. Both these sites provide excellent inspiration for historical novelists and history lovers who would like to know more about the diversity of lives in Early America, not just the lives of “great men,” such as Washington and Jefferson.

Historic St. Mary’s City

How do you recreate a place that disappeared centuries ago? Historical novelists try to do this with research and imagination. Historic St. Mary’s City, tucked away in a remote corner of Southern Maryland, has recreated Maryland’s first capital through archaeology and primary sources. Researchers have used clues from ancient foundations and fragments of glass to reconstruct historic buildings and give visitors an idea of what life here was like in the years spanning 1634, when the settlement was founded, to 1695, when St. Mary’s City was abandoned for the present Maryland capitol of Annapolis.

The most remote part of the museum is Master Spray’s Plantation, a working colonial farm situated away from the other sites and also from Maryland Route 5 and most signs of modern civilization. “It’s easier to suspend disbelief and imagine you are in the 17th century,” Public Programs Director, Dorsey Bodeman explains. Spray’s Plantation is a first person site with interpreters in period costume and in character. “We give visitors the opportunity to step into their lives,” says Bodeman. “They will come upon interpreters doing tasks people would have done in the 17th century.” These interpreters include Master and Mistress Spray, and their indentured servants. Their tasks deal with home and hearth – things that that twenty-first century people can relate to. “Master Spray will talk about what he’s doing in the tobacco field,” Bodeman says. “This serves as an entry to the visitors asking him questions. It’s much easier to ask the interpreter questions than asking the same questions in a lecture hall. The discussion can then develop into a more in-depth discussion about, for example, the economies of tobacco planting.” Bodeman believes that visitors will have an easy time connecting with the interpreters, who are trained to make them feel at home. Other exhibits include Smith’s Ordinary, the reconstructed State House of 1676, and the Maryland Dove, a replica square-ribbed ship that brought colonists to the New World. Buildings recreated on the historical model are being added to the site each year. The rebuilt print house will open next spring and in the following year, the chapel will be finished.

Visitors can also learn about the ongoing archaeological sites. Archaeologists aren't present year round, but interpreters are on hand to talk about the archaeological background. “Visitors are very interested in behind-the-scenes information about how we know about a place that disappeared off the face of the earth,” Bodeman states. She admits that it is difficult to reconstruct people’s daily lives from archaeological artefacts alone. “Archaeology doesn't find many life-way things.” The only artefacts that survive in the ground for 400 years are things like stone, bone, metal tools, oyster shells, and glass. Some artefacts found on site, however, do open a window into lost lives. One is a container with small holes in it and a bone stopper. The container was probably filled with a noxious substance and worn to banish fleas in an era when whole families shared the same bedding, as did travellers at inns and ordinaries.

The museum is not focused exclusively on the lives of European settlers. At the Indian Village Site, staff in contemporary dress, who are not necessarily Native American themselves, discuss the lives of Native Americans in the 17th century. These interpreters practice what Bodeman calls “experimental archaeology.” Since very little about Native American history was written down, interpreters don’t just learn from books but from living on site and building Native American-style huts by trial and error. “The staff are out there living the life, learning to make fishhooks from the toe bones of a deer.” Bodeman adds that these were inspired by deer bone fishhooks found by archaeologists.

African-American history is not interpreted at the museum, because there would have been very few, if any, enslaved Americans present in the original settlement. Slavery did not become a major institution before the 1660s. Throughout most of the 17th century, European indentured servants were much cheaper and more readily available.

There were also very few European women. Bodeman states that in 1650, the white population in the colony numbered about 600 and fewer than 200 of those people were women. Even at the end of the 17th century, there were still three men for every woman. The bulk of people coming to the colony were male indentured servants. A handful of wealthy men, such as the Calverts, came over to get the colony started. Malaria took a huge toll on the population and high death rates impacted both sexes. This, coupled with the scarcity of women and with high infant mortality, meant that immigration contributed more to the white population than live births. Moreover, indentured servants would be around 30 by the time they were free to marry and this also served to curb the birth rate. Yet court records of the period prove that some female indentured servants had children out of wedlock. Their masters would then seek to prolong their indenture to cover the costs of feeding the child. Court records of midwives provide a further glimpse into these early women’s histories.

What does Bodeman hope visitors will gain from a day at St. Mary’s? “A connection to the people who came before us,” she says. “I hope they would go away not with just bits and pieces of factual information, but a connection to what life was like 400 years ago. What motivated people then – things like getting clothes, food, and shelter – wasn't different from what motivates people now. But how hard people had to work to get these things was very, very different.”

Those who are unable to visit St. Mary’s in person can take a virtual tour.

Colonial Williamsburg

In contrast to St. Mary’s serene backwater, Colonial Williamsburg is comprised of a monumental 301-acre Historic Area surrounded by a 3,000 acre greenbelt to help keep out 21st century intrusions. From 1699 to 1780, Williamsburg, Virginia was the capital of England’s oldest, largest, wealthiest, and most populous colony in the Americas. Named in honour of King William III and designed by Royal Governor Francis Nicholson, Williamsburg is one of America’s oldest planned communities. The restored city features no fewer than 88 original buildings and hundreds of others that have been reconstructed, most on their original foundations. Colonial Williamsburg portrays the capital during the years 1774-1781, the critical formative period of the American Republic. Also on site are Bassett Hall and the Wallace Gallery, which form the Museums of Williamsburg. The huge stores of collections include everything from period farm instruments to portraiture.

“The most unique thing about Williamsburg is our setting,” says Dr. Rex Ellis, vice president of the Colonial Williamsburg Foundation. “It’s like a stage set to tell a three-dimensional story. It allows us to take in the good, the bad, and the ugly. The buildings and reconstruction, the collections and reproductions build and design and acknowledge history in a different way than a textbook. We use a variety of ways to tell the story of history.”

The diversity of Early American experience is in evidence from sites ranging from the Governor’s Palace, the seat of British authority in the colony, and the Capital, the seat of colonial power and home of Virginia’s vote for independence, to Great Hopes Plantation, a working farm, which invites guests to become part of the experience of 1770s-era enslaved Americans and middling white planters. In contrast, the Peyton Randolph House examines urban slave life through participatory programs.

First and third person interpreters play a crucial role in bringing history to life. “The buildings are just structures,” says Ellis. “It’s the people that bring life to those things, the people that animate the buildings. The artifacts and collections are just a backdrop.” Interpreters are available throughout the day, and visitors who stick around until the evening can watch performances with scripted presentations.

The African-American experience in colonial Virginia is brought vividly to life by interpreters playing characters such as Lydia Broadnax, cook and slave to George Wythe, who was a mentor to Thomas Jefferson and one of signers of the Declaration of Independence. Wythe eventually freed Broadnax, who chose to remain in his service until his death – one of his heirs poisoned him. Eventually she acquired her own house in Richmond. Another interpreter plays the role of Gowan Pamphlet, a slave owned by entrepreneurial businesswoman Mrs. Jane Vobe, who ran the King’s Arms Tavern. In her service, Pamphlet waited on the likes of William Byrd III  and George Washington. Gowan Pamphlet’s spiritual calling, however, steered his life in a completely different direction. He became a preacher, acting in defiance of laws not only forbidding persons of color to preach but also forbidding slaves to hold gatherings. After years of performing his ministry, including baptisms, in secret, he finally got his freedom and founded the First Black Baptist Church. Also interpreted is Ann Wager, a white woman who became mistress of the Bray School for African American children in 1760.

Third-person interpreters include costumed artisans representing the tradesmen and women of their day. These are professional, full-time artisans dedicated to specific trades, including carpentry, culinary arts, brick making, saddlery, apothecary arts, and gunsmithing. Guests can observe the artisans at work and ask them questions about their trade.

One program that Ellis believes no visitor should miss is The Revolutionary City. “This is the newest program we have to interpret history in a more responsible way,” Ellis explains. To convey the series of major events that illustrates Williamsburg’s central role in the American Revolution, each day consists of a two hour interactive program that portrays Colonial Americans’ transition from British subjects to citizens of a newly fledged American nation. This is conveyed in a series of scripted performances, such as a 30-year-old carpenter torn between family and war, and slaves weighing the ironies of the freedom their masters seek while denying the same liberties to them. Visitors will have the chance to connect to the characters’ personal stories. Ellis says he hopes this program will provide insight into the privilege and responsibility of being an American, and also an awareness of the sacrifices made by enslaved Americans, as well as European Americans, in the struggle for independence. “You can’t visit Williamsburg without being struck by the sacrifices made by our ancestors.” The Revolutionary City can also be experienced by video via Colonial Williamsburg’s website, details below.

I recommend devoting at least a full day to Williamsburg. There are plenty of hotels in the area and those who book ahead can enjoy a period meal in one of the taverns in the Historic Area. It’s an interesting experience to walk around the site in the evening after the crowds have gone home.

But even those who cannot manage to visit can learn a great deal through Colonial Williamsburg’s extensive website, which offers a variety of resources including virtual tours, podcasts, articles and online slideshows exploring African American history, children’s programs, an online research library focused on the 18th century and colonial period, and even a source list for 18th century costume design .

Reconstructed Powhatan village, Jamestown Settlement

Jamestown Settlement and Yorktown Victory Center

Close by Williamsburg are two additional living history sites, also superb. Jamestown Settlement has recreated the first English settlement in the Americas. Founded in 1607, Jamestown is currently gearing up for its 400th anniversary. Visitors can learn about the lives and trades of people in 17th century Virginia, including Powhatan Indians and European and African immigrants. Yorktown Victory Center is a must-visit for American Revolutionary War enthusiasts. The site interprets the lives of the men and women who witnessed the decisive Battle of Yorktown in October, 1781, which ended the six-year struggle for American independence. Information about both Jamestown and Yorktown can be found at the website.

(This article originally appeared in Solander, a publication of the Historical Novel Society.)

Sunday, 30 March 2014

A Case of Adultery Unprosecuted

The Capel Family
Sometime before 1681 Abigail Remington was wed to John Richmond of Kingstown, Rhode Island. They had four daughters, John paid his taxes in 1687, but then something went very wrong in the Remington family. On March 20, 1688 Abigail, widow of John Remington, late of Rochester, Rhode Island, presented an inventory of her dead husband’s estate to the court and requested administration.

John Remington’s belongings were valued at a mere 46 pounds, 17 shillings and 6 ½ pence, enough to buy a few cows or a scrap of land. Widowed at the age of 36, with four young daughters to feed, Abigail would have faced hard times if a neighbor hadn’t taken her under his wing.

Henry Gardner was aged about 46 when he appraised John Remington’s estate in 1688. A few years earlier he was Kingstown’s constable, and as heir to one of Rhode Island’s largest land owners, John Porter, Henry was set up for life. However, there was a complication – after nearly two decades of marriage, Henry’s wife Joan was still childless, and Henry Gardner was heirless. Joan was healthy (she survived until about 1715), so if Henry simply waited for her to die, it might be too late for him to sire an heir.

Probably Henry could have had his childless marriage to Joan annulled. After all, his mother, Herodias Long, had obtained separations from two husbands in years past. Her marriage to John Hicks was ended by his spousal abuse. The other separation occurred twenty years later, when Herod admitted that she had never married George Gardner. It’s hard to say whether Herod was feeling guilty, or if she had her eyes on a larger prize. A couple of years later she and John Porter were called to court for cohabitation ‘in way of incontinency,’ but that’s another story.

Henry Gardner made no attempt at annulment or divorce. Instead, he found another way to sire heirs. In 1691 Abigail Remington bore an infant named Henry Gardner. Their second son, Ephraim Gardner, was born in 1693.

Demi Moore as Hester Prynne on the pillory
On March 27, 1694, Henry Gardner was "Bound over to this court [of trials] for being charged by Abigail Remington for getting on her body two bastard children." I find it surprising that Rhode Island waited until two 'fatherless' children had been born to take action agains Henry and Abigail. 

The Puritan colonies certainly would have called a pregnant widow to court as soon as her baby began to show, demanding that she reveal the name of the baby's father.  Just think of Hester Prynne in The Scarlet Letter, displayed on the pillory with her baby, Pearl. The Puritans would have proceeded against the father as well, and unless the woman and man were high-born, both faced the stocks, a stiff fine, whippings, and/or jail.

Rhode Island was more lenient, but Abigail should have been fined, then stripped to the waist and displayed in public for 15 minutes for having borne a child out of wedlock. Her second child by Henry Gardner should have resulted in a whipping or 10 pound fine. However, Abigail, as the mistress of an influential and affluent man, escaped the harshest penalty called for by the colony’s adultery and fornication law. 

For her offense, Abigail Remington “being bound to appear at court to answer for the act of fornication committed with Henry Gardner, and being taken sick could not appear." Henry acted as Abigail's attorney, and paid her fine in court, "being 26 shillings and 8 pence and officers fees.”

In nearly all cases, men were more gently handled than women. By law, Henry Gardner did not face the lash or public humiliation, but he would have been fined or jailed if he refused to support the children. 

However, Henry stood by his informal family. As the reputed father of her two children, Henry "is sentenced by this court to keep ye town of Kingstown Indemnified from any charge that may arise from ye maintenance of ye said children." Having agreed to do so, Henry’s crime of adultery was ignored. So were two more illegitimate children born to Henry and Abigail in 1697 and 1701 – all while Joan Gardner was still alive.

Why were the offenses of Abigail Remington and Henry Gardner largely overlooked? I think the main reason is that most Rhode Islanders were cast out from Puritan colonies for their unorthodox beliefs. As a result, they were opposed to sticking their noses in other people’s business. As long the illegitimate children were supported, and the unwed couple lived quietly, so what if they weren’t wed? Henry Gardner now had heirs, and Abigail, along with her four fatherless Remington daughters, lived a secure life.

As for Henry and Abigail, it seems that they married after Joan's death ca. 1715. Abigail Gardner's name is entered on deeds when she gave her consent to Henry's sale of land, and he specifically titled his wife, Abigail Gardner, in his 1744 will.


Jo Ann Butler is the author of Rebel Puritan and The Reputed Wife, and is currently at work on The Golden Shore, the climax of her series about Herodias (Long) Hicks Gardner Porter, her unruly family, and the equally unruly colony of Rhode Island.

Sunday, 23 March 2014

The Eventful Life of Sir Kenelm Digby

Sir Kenelm Digby had the kind of life that makes for an interesting story - an English courtier and privateer, he travelled throughout Europe, was multi-lingual, interested in alchemy and natural philosophy, and was a naval administrator. I really admire him for his great curiosity about the world around him, much like other great men of his time. 

Born in 1603 to Mary and Everard Digby - the latter one of the Gunpowder Plotters who was executed by hanging, drawing, and quartering - Kenelm Digby was as Catholic as his family; something that would eventually bring him some trouble! 

Through the ages he has become most well-known (when he is remembered at all) for The Closet of the Eminently Learned Sir Kenelme Digby, which every researcher of the 17th-century knows and loves. This book, much like The English Hus-Wife by Gervase Markham is chock-full of cookery recipes that would have been helpful back then. Who am I kidding? I make food for my family even now with some of his recipes!

For example, here is his recipe for making a plain, English potage:

"Make it of Beef, Mutton and Veal; at last adding a Capon, or Pigeons. Put in at first a quartered Onion or two, some Oat-meal, or French barley, some bottome of a Venison-pasty-crust, twenty whole grains of Pepper: four or five Cloves at last, and a little bundle of sweet-herbs, store of Marigold-flowers. You may put in Parsley or other herbs."

But before he was into domestic preparations, he had a life of adventure - the stuff of Hollywood films. In the 1620s, the young, dashing, handsome Digby went to sea as a privateer, but things weren't always great. According to The Early Stuarts by Godfrey Davies:

"The Earl of Warwick received a commission to attack any Spanish dominions in Europe, Africa, or America, but achieved little, and Sir Kenelm Digby's semi-piratical expedition to the Mediterranean was equally futile."

It seems that Digby's advancement in government was blocked by the Duke of Buckingham. This is pretty likely, as Buckingham had a reputation to support such behaviour.

The Lewis Walpole Library, Yale University
But not everything was about work. In the late 1620s, Kenelm met the woman who would become his wife. Venetia Stanley was - from every description written and every painting of her - a gorgeous creature. She was very much sought-after and Kenelm was no exception.

Unfortunately, Venetia was seen as a sort of good-time girl, and had openly bestowed her favours on the Earl of Dorset and borne him children. This circumstance was a source of great vexation to Kenelm's mother, who was adamantly opposed the match because of Venetia's known wantonness.

Venetia Lady Digby as Prudence: by Anthony Van Dyck

Also, Venetia was a couple of years older than Kenelm, but that was no impediment for the ardent young man. He was quickly besotted by her, and it appears she quite liked him in return, though there were always many suitors fluttering around her.

But amor vincit omnia, as they say, "love conquers all things" and when Kenelm returned from abroad, he married his Venetia, despite his mother's continued protestations. When people gave him a hard time about her bad reputation, he is said to have responded with: 

"a wise man, and lusty, could make an honest woman out of a brothel house."

Venetia was believed to have fully embraced her role as respectable wife and was very different in her behaviour than when she was a younger woman. She and Kenelm had three sons - Kenelm, George and John.

Sadly, their marital felicity was of short duration. Venetia died suddenly aged thirty-two, and the cause has been a source of mystery ever since. According to John Aubrey's Brief Lives:

"She died in her bed suddenly. Some suspected that she was poisoned. When her head was opened there was found to be little brain, which her husband imputed to her drinking of viper wine; but spiteful women would say it was a viper-husband who was jealous of her, that she would steal a leap."

As mentioned earlier, Kenelm Digby had knowledge of chemistry and probably poisons, too. That being said however, I think his involvement in her death highly improbable, especially as he had fought hard to win her in the first place, and he displayed overwhelming grief at her death. Some modern historians speculate that drinking viper wine was a bit of a craze, done in order to maintain beauty. Since Venetia was a known beauty, and considered quite old already, I don't think it impossible that she tried this potion in order to maintain her famous looks. Here below is the painting of Venetia on her deathbed, as painted by the popular Flemish Baroque artist, Anthony van Dyck.

Image: The Trustees of Dulwich Picture Gallery

Haunted by the death of so dear a wife, Sir Kenelm retreated from the public sphere and Aubrey states he lived like a hermit:

"After her death, to avoid envy and scandal, he retired to Gresham College at London, where he diverted himself with his chemistry, and the professors' good conversation. He wore there a long mourning cloak, a high crowned hat, his beard unshorn, looked like a hermit, as signs of sorrow for his beloved wife, to whose memory he erected a sumptuous monument, now quite destroyed by the great conflagration (The Great Fire)."

As Aubrey stated above, Kenelm 'diverted himself with his chemistry' and by the 1650s, others commented upon this. John Evelyn mentions Digby's scientific pursuits in his Diary entry for 7th of November, 1651:

"I visited Sir Kenholm Digby with whom I had much discourse of chymical matters, I shew'd him a particular way of extracting oyle of (symbol) & he gave me a certaine powder with which he affirm'd he had fixed (symbol) before the late King, which he advised me to try and digest a little better, & gave me a Water, which he said was onely raine water of the Autumnal equinox exceedingly rectified, very volatile, it had a tast of a strong vitriolique, and smelt like aqua fortis, he intended it for a disolvant of (symbol). But the truth is, Sir Kenhelme, was an arrant Mountebank."

Evelyn mentions him again on the 20th of November, 1651:

"I went to see Monsieur Feburs course of Chymistrie, where I found Sir K. Digby, and divers Curious Persons of Learning & quality."

Digby never remarried following Venetia's death and had lived through the reigns of James I, Charles I, the English Civil Wars, the Interregnum, and witnessed the Restoration. He had been one of the founding members of the Royal Society and was an important part of the times.

Sir Kenelm Digby died on his birthday 11th June, 1665 at the ripe old age of 62 (a month shy of 63). I know, 62 isn't old at all now - it's almost middle-aged! But I remember the words of Lewis Melville, writing in his book "The Windsor Beauties" when he wrote:

"...was thirty five, which in those days was regarded as quite elderly."

If thirty-five was considered elderly, how much more so was sixty-two?!

At any rate, the epitaph upon his tomb reads:

    Under this tomb the matchless Digby lies,Digby the great, the valiant, and the wise:This age's wonder for his noble parts,Skilled in nix tongues, and learned in all the arts:Born on the day he died, the eleventh of June,On which he bravely fought at Scanderoon;'Tis rare that one and the same day should be His day of birth, of death and victory.

Andrea Zuvich is a 17th-century historian and author of the biographical fiction novella His Last Mistress: The Duke of Monmouth & Lady Henrietta Wentworth and also the historical horror The Stuart VampireShe is the creator of The Seventeenth Century LadyFollow her on Twitter and Facebook for daily 17th-century factoids, Baroque music and art.